1 00:00:38,997 --> 00:00:41,750 Based on the novel of Alberto Moravia. 2 00:00:45,629 --> 00:00:48,966 Starring Brigitte Bardot and Michel Piccoli. 3 00:00:52,845 --> 00:00:55,681 With Jack Palance and Giorgia Moll. 4 00:00:59,810 --> 00:01:02,312 And the participation of Fritz Lang. 5 00:01:06,608 --> 00:01:09,736 With photography by Raoul Coutard. 6 00:01:12,739 --> 00:01:15,450 Music written by Georges Delerue. 7 00:01:19,079 --> 00:01:22,416 Sound by William Sivel. 8 00:01:24,918 --> 00:01:27,337 Editing by Agn s Guillemot. 9 00:01:30,424 --> 00:01:34,553 Production management by Philippe Dussart and Carlo Lastricati. 10 00:01:36,680 --> 00:01:39,183 A film by Jean-Luc Godard. 11 00:01:42,603 --> 00:01:47,024 Filmed on Cinemascope and positive in color by GTC labs. 12 00:01:48,609 --> 00:01:53,155 Produced by Georges de Beauregard and Carlo Ponti for Rome-Paris Films, 13 00:01:53,322 --> 00:01:57,242 Films Concordia and Compagnia Cinematografica Champion. 14 00:02:05,626 --> 00:02:11,173 Andr� Bazin said: "Cinema shows us a world that adapts to desires". 15 00:02:14,009 --> 00:02:17,054 Contempt is the story of that world. 16 00:02:31,610 --> 00:02:34,363 What do I know? 17 00:02:34,530 --> 00:02:39,117 Maybe I'll go to my mom's house. Afterwards, I have no idea. 18 00:02:41,495 --> 00:02:48,126 If you want, come look for me. At 4:00. By Cinecitt�. 19 00:02:51,255 --> 00:02:54,174 I have a meeting with the American. 20 00:02:56,301 --> 00:02:58,679 Maybe I'll go. 21 00:03:01,974 --> 00:03:06,854 - Do you see my feet in the mirror? - Yes. 22 00:03:08,730 --> 00:03:12,568 - Do they look cute to you? - Very cute. 23 00:03:14,778 --> 00:03:20,284 - Do you like my ankles? - Yes. 24 00:03:22,494 --> 00:03:25,873 And the knees, too? 25 00:03:26,915 --> 00:03:30,335 Yes. I love your knees. 26 00:03:33,380 --> 00:03:36,175 And the thighs? 27 00:03:37,759 --> 00:03:39,386 Also. 28 00:03:44,641 --> 00:03:47,603 Can you see my butt in the mirror? 29 00:03:49,938 --> 00:03:52,191 Yes. 30 00:03:54,651 --> 00:03:57,946 Do you think I have nice buttocks? 31 00:03:59,364 --> 00:04:01,700 Yes. Very pretty. 32 00:04:04,578 --> 00:04:08,582 - Do you want me to get on all fours? - No. 33 00:04:10,417 --> 00:04:16,173 - It's not necessary. - And my breasts, do you like them? 34 00:04:16,507 --> 00:04:23,388 - Yes, enormously. - Slowly, Paul. Not so strong. 35 00:04:26,058 --> 00:04:28,143 Sorry. 36 00:04:29,228 --> 00:04:35,567 What do you like the most? breasts or nipples? 37 00:04:39,029 --> 00:04:42,783 I don't know. Both equally. 38 00:04:45,327 --> 00:04:50,916 - And do you like my shoulders? - Yes. 39 00:04:51,583 --> 00:04:57,339 - They don't seem very rounded to me. - Yes. 40 00:04:59,800 --> 00:05:02,594 And my arms? 41 00:05:10,644 --> 00:05:12,980 And my face? 42 00:05:15,482 --> 00:05:18,652 - I like it too. - Everything? 43 00:05:18,944 --> 00:05:23,365 �The mouth, the eyes, the nose, the ears? 44 00:05:23,532 --> 00:05:29,955 - Yes, everything. - Then you love me completely. 45 00:05:31,248 --> 00:05:37,087 I love you completely, with tenderness and madness. 46 00:05:39,339 --> 00:05:41,550 Me too, Paul. 47 00:05:45,679 --> 00:05:50,475 Hello. How are you? What's wrong? There is not a soul here! 48 00:05:50,642 --> 00:05:55,147 Jerry fired almost everyone. Italian cinema is in trouble. 49 00:05:55,439 --> 00:06:00,652 - Where is the aforementioned? - Over there. 50 00:06:40,150 --> 00:06:44,404 To think that yesterday there were kings here. 51 00:06:48,784 --> 00:06:51,161 Princesses, lovers... 52 00:06:54,790 --> 00:06:57,918 All kinds of human emotions. 53 00:07:03,882 --> 00:07:06,844 He says that yesterday he sold everything. 54 00:07:10,889 --> 00:07:13,809 Now they are going to build a supermarket. 55 00:07:15,811 --> 00:07:21,108 - It's the end of cinema. - I doubt that cinema is going to disappear. 56 00:07:27,573 --> 00:07:32,369 You wrote Toto versus Hercules. In New York it is a success. 57 00:07:32,578 --> 00:07:34,705 More or less. 58 00:07:40,043 --> 00:07:45,257 Don't be modest. pride is needed to make good cinema. 59 00:07:45,799 --> 00:07:50,220 - Do you know The Odyssey? - Your film with Fritz Lang? 60 00:07:54,266 --> 00:07:58,812 - He's not doing very well. - Why did you hire Lang? 61 00:08:04,651 --> 00:08:10,949 I need a German director, because It was a German who discovered Troy. 62 00:08:11,116 --> 00:08:13,410 What should I do? 63 00:08:28,342 --> 00:08:34,306 He needs new scenes for The Odyssey. A little more sex and... 64 00:08:34,848 --> 00:08:38,060 Like all producers, he has no idea. 65 00:08:50,030 --> 00:08:54,243 Know that one does not know It is the gift of a superior spirit. 66 00:08:57,538 --> 00:09:01,083 Not knowing, and believing that one knows, It's a mistake. 67 00:09:05,671 --> 00:09:09,216 Know that it is a mistake prevents one from committing it. 68 00:09:11,343 --> 00:09:13,846 I don't think Lang will accept. 69 00:09:17,975 --> 00:09:24,231 In the year 33, he was offered to direct the German film industry and left. 70 00:09:37,119 --> 00:09:41,999 We are not in 33, and Mr. Prokosch knows that you will accept the job. 71 00:09:42,166 --> 00:09:44,168 Why? 72 00:09:47,796 --> 00:09:53,343 I will tell you during the screening. Over here. 73 00:10:25,125 --> 00:10:28,837 Let's see... Why? 74 00:10:32,633 --> 00:10:38,055 - Because he needs the money. - And how does he know? 75 00:10:46,396 --> 00:10:50,484 They told him that he has a very pretty woman. 76 00:11:01,411 --> 00:11:04,414 What wonder are we going to see today, Fritz? 77 00:11:08,001 --> 00:11:11,630 Every movie should have a defined point of view. 78 00:11:11,797 --> 00:11:16,176 Here is the struggle of the individual against the circumstances. 79 00:11:16,343 --> 00:11:19,304 The eternal problem of the ancient Greeks. 80 00:11:19,471 --> 00:11:22,641 The eternal problem of the ancient Greeks. 81 00:11:22,808 --> 00:11:26,937 I don't know if you understand, Jerry, I hope so. 82 00:11:27,104 --> 00:11:32,943 It is a fight against the gods. The fight of Prometheus and Ulysses. 83 00:11:33,110 --> 00:11:36,822 It is a fight against the gods. The fight of Ulysses. 84 00:12:33,086 --> 00:12:35,172 That's Minerva, isn't it? 85 00:12:37,341 --> 00:12:39,426 She is the protector of Ulysses. 86 00:12:42,763 --> 00:12:46,225 And that is Neptune, your mortal enemy. 87 00:13:29,852 --> 00:13:32,771 Mr. Prokosch likes gods. 88 00:13:35,899 --> 00:13:38,110 He knows perfectly how they feel. 89 00:13:42,948 --> 00:13:47,452 Jerry, don't forget: The gods did not create man. 90 00:13:49,037 --> 00:13:51,874 Man created the gods. 91 00:13:53,083 --> 00:13:55,419 Look, there's Homer. 92 00:13:56,211 --> 00:14:01,216 The gods did not create man, but man created the gods. 93 00:14:12,519 --> 00:14:14,605 It's a nymph. 94 00:14:26,116 --> 00:14:29,661 It's art, yes, but do you think the public will understand? 95 00:14:40,047 --> 00:14:43,342 -Who is it? - Penelope. 96 00:14:51,141 --> 00:14:53,936 Prokosch has a theory about The Odyssey. 97 00:14:54,144 --> 00:14:58,190 He thinks that Ulysses' wife I was unfaithful to him. 98 00:15:15,666 --> 00:15:21,338 Oh, my brothers, that among a hundred thousand dangers have come to the West, 99 00:15:21,505 --> 00:15:27,261 do not refuse to know the world uninhabited, which is following the sun. 100 00:15:28,846 --> 00:15:33,809 "Think about its origin. They were not born to live like beasts, 101 00:15:33,976 --> 00:15:37,479 "but to search virtue and knowledge." 102 00:15:39,398 --> 00:15:44,027 - Do you know that quote? - Yes, it is very popular. From Dante. 103 00:15:46,488 --> 00:15:49,616 "The night saw shining all the stars. 104 00:15:59,209 --> 00:16:03,422 "We are filled with joy, that soon turned into tears 105 00:16:06,466 --> 00:16:09,803 "until the sea rejoined upon us." 106 00:17:12,449 --> 00:17:17,996 - I'm Paul Javal. Mr. Prokosch... - I already know. 107 00:17:18,288 --> 00:17:21,416 I think it's great. I like Cinemascope. 108 00:17:21,583 --> 00:17:27,005 But it is not made for man, but for snakes and funerals. 109 00:17:30,676 --> 00:17:34,263 That's what I think of your material! 110 00:17:37,182 --> 00:17:41,770 - Do you want to rewrite it, Jerry? - You fooled me. 111 00:17:42,229 --> 00:17:45,732 - That's not what the script says. - Of course! 112 00:17:46,400 --> 00:17:50,529 - No! - Bring me the script, Francesca. 113 00:17:50,696 --> 00:17:54,992 What's wrong, Miss Vanini? Is it about the script? 114 00:18:11,758 --> 00:18:15,846 Yes, it's in the script, but it's not what I saw on the screen. 115 00:18:16,013 --> 00:18:19,975 Of course, because it is written in the script. 116 00:18:20,142 --> 00:18:25,355 Images are seen on the screen. Moving images: that is cinema. 117 00:18:25,522 --> 00:18:29,526 He says it's not the same what is on screen than the script. 118 00:18:38,076 --> 00:18:42,247 You finally understand the feeling of Greek culture. 119 00:18:44,124 --> 00:18:46,084 I'm going to see if my wife arrived. 120 00:18:46,251 --> 00:18:48,587 Stay there. 121 00:18:52,508 --> 00:18:56,970 When I hear the word "culture" I take out the checkbook. Come here. 122 00:18:57,596 --> 00:19:01,266 years ago, several horrible years ago... 123 00:19:01,433 --> 00:19:07,356 ...the Nazis used to say "revolver" instead of "checkbook." 124 00:19:25,123 --> 00:19:29,086 Are you going to accept the job? Yes or no? 125 00:20:04,288 --> 00:20:10,002 "Man, if he is obliged, is capable to face God, alone, with his courage. 126 00:20:10,169 --> 00:20:15,465 "His candor is his shield. Doesn't need weapons or tricks 127 00:20:15,632 --> 00:20:19,261 "until the absence of God helps him." 128 00:20:19,928 --> 00:20:24,349 - They are verses from Hölderlin, right? - Yes. Vocation of poet. 129 00:20:26,143 --> 00:20:30,397 The last verse is somewhat dark. Holderlin originally wrote... 130 00:20:34,318 --> 00:20:39,323 - "As long as God is not absent." - And then... 131 00:20:42,826 --> 00:20:45,787 "Whenever God is near of us." 132 00:20:45,954 --> 00:20:52,252 Because of how the verse was written, when you read the two alternatives, 133 00:20:53,670 --> 00:20:56,924 you see that it is no longer about of the presence of God. 134 00:20:57,090 --> 00:21:00,594 But its absence comforts the man. 135 00:21:00,761 --> 00:21:03,722 It's strange, but it's like that. 136 00:21:05,974 --> 00:21:10,187 How do you say "strange" in Italian? 137 00:21:25,077 --> 00:21:27,287 I'll be back in five minutes. 138 00:22:02,322 --> 00:22:06,201 Meet Mr. Prokosch. Camille, my wife. 139 00:22:15,085 --> 00:22:17,462 - My wife, Camille. - Delighted. 140 00:22:17,629 --> 00:22:20,465 -Fritz Lang. - Hello. 141 00:22:21,008 --> 00:22:24,136 He is the one who made the western with Dietrich. 142 00:22:24,303 --> 00:22:27,556 - I thought it was formidable! - I prefer M. 143 00:22:27,723 --> 00:22:31,894 "The cursed one"? recently We saw it on TV. I loved it. 144 00:22:32,060 --> 00:22:34,479 Thank you. Very kind. 145 00:22:35,272 --> 00:22:40,277 I love the scene in which Ferrer leans on the scales. 146 00:22:40,444 --> 00:22:43,655 Thank you. When The Odyssey ends... 147 00:22:47,826 --> 00:22:52,122 Mr. Prokosch He is inviting her to have something to drink. 148 00:22:52,289 --> 00:22:53,790 I don't know. 149 00:22:58,003 --> 00:23:02,007 - He says he knows it perfectly. - Me? 150 00:23:06,970 --> 00:23:08,847 Yes, a drink wouldn't be bad. 151 00:23:09,014 --> 00:23:14,686 Count me out, like Goldwyn said, a real Hollywood producer. 152 00:23:14,853 --> 00:23:17,356 Goodbye, I'll call him. Madam. 153 00:23:24,821 --> 00:23:26,615 Let's go if you want. 154 00:23:30,452 --> 00:23:32,204 Sit down, lady. 155 00:23:35,207 --> 00:23:38,752 - It's not going to be comfortable... - See you there. 156 00:23:39,461 --> 00:23:42,631 - Prokosch will come back to look for him. - No, I'll go by taxi. 157 00:23:42,798 --> 00:23:46,093 Let him go first. We can go together in a taxi. 158 00:23:46,969 --> 00:23:48,303 Decide. 159 00:23:49,137 --> 00:23:52,349 Come on, you go. 160 00:24:34,933 --> 00:24:36,435 What is the address? 161 00:25:47,256 --> 00:25:51,301 - What did he say? - My English is as bad as yours. 162 00:25:56,557 --> 00:26:00,727 We were half an hour ago waiting for you What happened to you? 163 00:26:12,155 --> 00:26:14,074 Nothing. I had an accident... 164 00:26:15,826 --> 00:26:19,872 I was in the taxi, and in a corner... 165 00:26:20,873 --> 00:26:25,335 Two cars, you can imagine... The bumper was left hanging. 166 00:26:25,502 --> 00:26:30,591 Immediately afterwards, the two drivers They started yelling at each other. 167 00:26:34,970 --> 00:26:39,266 - I had to look for another taxi. That's why... - So what? 168 00:26:41,268 --> 00:26:46,106 What? That's why it was late. I had to walk who knows how far... 169 00:26:46,982 --> 00:26:50,569 From Saint-Ange to Piazza Venezia to find a taxi. 170 00:26:55,741 --> 00:26:57,743 Yes, it took a century. 171 00:27:05,375 --> 00:27:09,546 Anyway, I don't give a damn. I'm not interested in your story. 172 00:27:14,384 --> 00:27:16,386 It took 20 minutes. 173 00:27:20,724 --> 00:27:23,477 - You don't believe me. - We'll talk later. 174 00:27:25,938 --> 00:27:27,648 I'm going to go for a walk. 175 00:28:07,563 --> 00:28:11,441 - Come tomorrow to sign the contract. - Very good. 176 00:28:15,279 --> 00:28:17,614 Camille, why are you so quiet? 177 00:28:44,808 --> 00:28:47,102 Jerry, a call from London. 178 00:28:58,530 --> 00:29:00,324 Jerry, they're calling from London. 179 00:29:03,368 --> 00:29:07,122 On Friday we filmed in Capri. Come with us. 180 00:29:08,207 --> 00:29:12,085 Answer him. Why don't you talk? 181 00:29:15,422 --> 00:29:19,176 - What were you doing before I arrived? - Nothing special. 182 00:29:20,177 --> 00:29:22,346 What? Did he come on to you? 183 00:29:24,973 --> 00:29:27,684 - Why do you ask me that? - Because yes. 184 00:29:35,192 --> 00:29:36,944 I'm going to wash my hands. 185 00:29:45,452 --> 00:29:48,580 - Where can I wash? - Above, to the right. 186 00:29:56,463 --> 00:29:59,758 - What's wrong? I notice her sad. - Nothing. 187 00:30:03,178 --> 00:30:05,138 Were you crying? 188 00:30:08,141 --> 00:30:11,728 - Your boss is a severe guy. - Yes. 189 00:30:15,732 --> 00:30:17,651 How long have you known him? 190 00:30:22,156 --> 00:30:27,411 - What did you do before dedicating yourself to cinema? - I prefer not to talk about that. 191 00:30:28,829 --> 00:30:30,581 I was just asking. 192 00:30:32,875 --> 00:30:36,545 It's stupid to be so sweet and be so sad. 193 00:30:36,712 --> 00:30:39,548 Doesn't it have anything more entertaining? to say? 194 00:30:40,924 --> 00:30:42,676 More entertaining? 195 00:30:45,304 --> 00:30:47,014 A funny anecdote. 196 00:30:49,266 --> 00:30:51,310 Which one can I tell you, let's see? 197 00:30:54,021 --> 00:30:57,816 Ah, yes, yes, that of Rama Krishna and his disciple. 198 00:31:04,031 --> 00:31:07,576 Rama Krishna was an Indian sage. 199 00:31:08,869 --> 00:31:14,082 He had a disciple who no longer believed in the teachings of his teacher. 200 00:31:15,918 --> 00:31:19,963 So he decided to study on his own. So he left. 201 00:31:21,173 --> 00:31:24,927 After 15 years, He came back and said, "I figured it out!" 202 00:31:25,719 --> 00:31:27,012 Discovered what? 203 00:31:28,263 --> 00:31:32,726 He said to the wise man: "I am going to teach him," and he took him to the river bank. 204 00:31:33,977 --> 00:31:37,731 The disciple crosses and returns walking on water. 205 00:31:38,857 --> 00:31:43,904 And he says, "See? I can cross without getting wet. "Now I know." 206 00:31:46,448 --> 00:31:49,243 Then Rama Krishna answers him: 207 00:31:49,409 --> 00:31:54,414 "Idiot! I already did that 10 years ago." with a rupee and a rowboat." 208 00:31:59,545 --> 00:32:01,296 Do you feel better now? 209 00:32:03,048 --> 00:32:05,300 That's how I like it. 210 00:32:05,467 --> 00:32:07,553 -Paul. - What? 211 00:32:10,889 --> 00:32:14,309 - Is that what you call washing your hands? - As you see. 212 00:32:15,394 --> 00:32:19,356 - I was telling him a joke... - I already believe you. 213 00:32:20,607 --> 00:32:23,277 You're acting like an idiot. 214 00:32:23,443 --> 00:32:26,572 - Where can I go to pee? - Up there. 215 00:32:37,374 --> 00:32:41,753 It is a book of Roman paintings, It will serve you well for The Odyssey. 216 00:32:41,920 --> 00:32:44,173 But The Odyssey is in Greek. 217 00:32:52,723 --> 00:32:54,266 You know. 218 00:33:11,617 --> 00:33:13,577 I was right, huh? 219 00:33:15,746 --> 00:33:17,789 About what? 220 00:33:30,260 --> 00:33:32,554 About money and his wife. 221 00:33:47,069 --> 00:33:49,947 Mr. Prokosch invites her to dinner. 222 00:33:50,113 --> 00:33:53,200 I'm tired, I'd rather go back. 223 00:33:55,953 --> 00:33:57,621 Tell him we're leaving. 224 00:34:01,416 --> 00:34:03,252 We're leaving. 225 00:34:09,675 --> 00:34:12,261 If you decide on Capri, call. 226 00:34:12,427 --> 00:34:16,807 - We have to prepare the chalet. - Paul will call him. 227 00:34:20,060 --> 00:34:22,020 Why don't you come? 228 00:34:23,397 --> 00:34:25,482 My husband is the one who decides. 229 00:34:34,491 --> 00:34:37,244 What interests you about The Odyssey? 230 00:34:37,411 --> 00:34:39,705 I still don't know. 231 00:34:41,248 --> 00:34:45,002 Maybe because it's the opposite to today's cinema, which I hate. 232 00:34:47,421 --> 00:34:50,424 I wish I could go back to Griffith and Chaplin. 233 00:34:52,926 --> 00:34:55,012 At the time of United Artists. 234 00:35:03,604 --> 00:35:07,149 The wise man does not burden others with his superiority. 235 00:35:11,028 --> 00:35:13,822 It does not humiliate them for being powerless. 236 00:35:33,509 --> 00:35:37,387 He's crazy! Did you see? He kicked me! 237 00:35:39,348 --> 00:35:43,560 You change your mind quickly. Monday seemed extraordinary to you. 238 00:35:52,236 --> 00:35:57,908 Now he seems like an idiot to me. I have the right to change my mind. 239 00:36:04,206 --> 00:36:06,750 What happened in this last hour? 240 00:36:06,917 --> 00:36:10,671 Nothing. If you are happy, so am I. 241 00:36:36,488 --> 00:36:38,991 They are giving R�o Bravo in the town. 242 00:36:42,161 --> 00:36:45,247 And also more powerful than life by Nicholas Ray. 243 00:36:45,414 --> 00:36:47,291 I'm not interested. 244 00:36:49,001 --> 00:36:51,295 - You have the key. - I know. 245 00:36:54,464 --> 00:36:58,135 I called your mom at noon, but no one answered. 246 00:36:58,302 --> 00:37:01,221 We ate here. I didn't feel like going out. 247 00:37:07,186 --> 00:37:11,148 I like living here. It's better than in a hotel. 248 00:37:11,315 --> 00:37:12,649 Did you see? I was right. 249 00:37:16,153 --> 00:37:18,614 How much do they pay you for the script? 250 00:37:18,780 --> 00:37:22,326 Ten thousand dollars. Six million lire. 251 00:37:22,493 --> 00:37:26,705 We can finish paying the department. Isn't it great? 252 00:37:26,872 --> 00:37:28,248 Yes, great. 253 00:37:40,385 --> 00:37:45,390 When are you going to call your friend for the curtains? It already bothers me. 254 00:37:45,557 --> 00:37:48,018 When I arrive from Spain. 255 00:37:48,185 --> 00:37:50,687 Roberto said he would return on Friday. 256 00:37:56,235 --> 00:37:59,905 Red velvet. That or nothing. 257 00:38:00,072 --> 00:38:01,824 OK. 258 00:38:02,699 --> 00:38:08,121 - Will you set the table while I take a bath? - I also wanted to take a bath. 259 00:38:08,914 --> 00:38:11,458 Well, you go. So I take advantage and work. 260 00:38:15,003 --> 00:38:19,132 No, I take a shower later, while the food is being made. 261 00:38:19,299 --> 00:38:21,593 Are you going to cook fagiolini again? 262 00:38:24,721 --> 00:38:27,432 Yes, whether you like them or not. 263 00:38:27,599 --> 00:38:30,936 - I can set the table. - I was putting it on. 264 00:39:11,226 --> 00:39:15,230 Today I bought something. Give me your opinion. 265 00:39:17,024 --> 00:39:18,483 What did you buy? 266 00:39:25,532 --> 00:39:27,075 What? 267 00:39:27,242 --> 00:39:31,288 - Don't look yet. - Do you want to go to Capri? 268 00:39:39,546 --> 00:39:43,467 - What? - Do you want to go to Capri? 269 00:39:48,138 --> 00:39:50,849 I won't say no, but I won't say yes either. 270 00:39:51,016 --> 00:39:53,018 It would be like going on vacation. 271 00:39:55,521 --> 00:39:59,233 - Anyway, they didn't invite me. - What? 272 00:40:02,069 --> 00:40:06,156 He invited you, not me. 273 00:40:13,372 --> 00:40:15,707 Where did we put the mirror? 274 00:40:34,560 --> 00:40:37,062 You are wrong. He invited us both. 275 00:40:39,481 --> 00:40:41,066 Look. 276 00:40:45,279 --> 00:40:49,408 - Doesn't it look good on me? - No, I prefer you blonde. 277 00:40:49,575 --> 00:40:53,412 And I prefer you without the hat nor the cigarette. 278 00:40:53,579 --> 00:40:58,083 It's to look like Dean Martin in Like a torrent. 279 00:40:58,250 --> 00:41:02,379 - Don't make me laugh! - What? 280 00:41:03,589 --> 00:41:06,091 You'll want to look like Dean Martin, 281 00:41:06,258 --> 00:41:10,637 but rather you are Martin's donkey. -Who? 282 00:41:10,804 --> 00:41:13,974 You never read the adventures of Martin's donkey? 283 00:41:15,976 --> 00:41:19,688 One day Martin goes to Baghdad to buy a flying carpet. 284 00:41:20,689 --> 00:41:23,025 Find a beautiful one, 285 00:41:23,859 --> 00:41:27,488 so he sits on it, but it doesn't take off. 286 00:41:27,654 --> 00:41:30,115 "I'm not surprised," says the seller... 287 00:41:30,282 --> 00:41:33,702 - Are you listening to me? - Yes. 288 00:41:33,869 --> 00:41:38,790 "The carpet is not going to fly if you think of a donkey." 289 00:41:38,957 --> 00:41:42,544 And Martin says: "Well, I'm not going to think about that." 290 00:41:42,711 --> 00:41:47,549 But you automatically think about it, and the carpet won't start. 291 00:41:47,716 --> 00:41:49,718 What does that have to do with me? 292 00:41:51,720 --> 00:41:55,891 - That's what I mean. - I don't understand. 293 00:42:00,812 --> 00:42:03,690 It doesn't matter. Are you done? 294 00:42:04,525 --> 00:42:08,278 You don't need to change the water. He didn't use soap. 295 00:42:16,620 --> 00:42:20,415 You have been strange. What's wrong with you? 296 00:42:20,582 --> 00:42:25,462 Nothing. I knew you were going to tell me that. 297 00:42:27,881 --> 00:42:30,592 Is it because of that girl? 298 00:42:30,759 --> 00:42:35,472 Nothing's wrong with me, seriously. I just said you were an idiot. 299 00:42:41,979 --> 00:42:44,273 You don't sound the same everywhere. 300 00:42:47,025 --> 00:42:49,945 Why don't you want to Let's go to Capri? 301 00:42:52,281 --> 00:42:54,408 Because you're a donkey. 302 00:43:02,499 --> 00:43:04,543 You scare me, Paul. 303 00:43:06,461 --> 00:43:09,047 And it's not the first time. 304 00:43:09,214 --> 00:43:12,384 Then answer instead of standing there. 305 00:43:12,551 --> 00:43:15,888 "Why did I get married?" with a 28-year-old typist? 306 00:43:17,472 --> 00:43:21,435 It's true. I ask your forgiveness. 307 00:43:24,938 --> 00:43:26,356 Me too. 308 00:43:39,536 --> 00:43:43,790 Go to Capri if you want. I don't feel like it. 309 00:43:44,833 --> 00:43:50,214 Also, Jeremy Prokosch I don't like him at all. I already told you. 310 00:43:50,422 --> 00:43:52,841 Why? Did he do something to you? 311 00:43:54,927 --> 00:43:56,053 Nothing at all. 312 00:44:11,235 --> 00:44:13,529 Why are you so thoughtful? 313 00:44:15,280 --> 00:44:18,116 I'm thinking, believe it or not. 314 00:44:20,577 --> 00:44:23,580 - Are you surprised? - No. Why? 315 00:44:25,749 --> 00:44:29,795 - An idea. - Come with me. I'm not going alone. 316 00:44:30,003 --> 00:44:33,382 You have been strange since you met that guy. 317 00:44:37,594 --> 00:44:39,930 I'm not weird. 318 00:44:45,102 --> 00:44:49,481 - Why do you say that? - Because yes. 319 00:44:49,648 --> 00:44:54,153 This morning we were fine. Now we are fighting for nothing. 320 00:44:55,612 --> 00:44:59,533 - What's wrong with you, honey? - I want to have fun. 321 00:44:59,700 --> 00:45:01,660 There's nothing wrong with me, Paul. 322 00:45:02,619 --> 00:45:05,122 I'm afraid of getting bored there. 323 00:45:06,582 --> 00:45:08,458 I'm not going. 324 00:45:28,478 --> 00:45:31,815 �Did you see the house What are they building in front? 325 00:45:33,901 --> 00:45:35,569 It's a horror. 326 00:45:38,030 --> 00:45:41,033 If you love me, stay quiet. 327 00:45:49,124 --> 00:45:53,086 A husband has the right to know why his wife is angry. 328 00:45:55,172 --> 00:45:59,176 - I'm sure it's because of that girl. - Fuck you! 329 00:46:17,861 --> 00:46:21,949 Hello. Good afternoon. 330 00:46:22,115 --> 00:46:24,284 No, Camille is not here. 331 00:46:26,453 --> 00:46:30,374 I thought they had eaten downtown and they had gone shopping. 332 00:46:32,251 --> 00:46:36,004 He just came in! Your mother. 333 00:47:20,048 --> 00:47:22,050 I'll call you tomorrow. Goodbye. 334 00:47:23,802 --> 00:47:29,433 You're crazy! Why did you tell him he wasn't there? 335 00:47:30,267 --> 00:47:33,604 - I don't know why. - I do yes. 336 00:47:34,438 --> 00:47:40,777 To find out if we have lunch together And if I wasn't lying to you. 337 00:47:40,944 --> 00:47:45,657 - Yes, that's why. - Try it again, and I'll divorce you. 338 00:47:47,534 --> 00:47:50,746 - Get up! - What are you doing? 339 00:47:52,831 --> 00:47:55,667 I'm going to sleep on the couch. 340 00:47:55,834 --> 00:48:01,256 - When, tonight? - Every night, starting today. 341 00:48:11,975 --> 00:48:17,105 Don't get angry. I can't sleep with the window open. 342 00:48:18,273 --> 00:48:20,025 Well, we close it and that's it. 343 00:48:20,192 --> 00:48:25,322 You always say you're suffocating. No, we will sleep separately. 344 00:48:25,489 --> 00:48:30,744 Thousands of couples do it. They still get along well. 345 00:48:30,911 --> 00:48:34,248 What did I do wrong? Tell me. 346 00:48:36,166 --> 00:48:39,962 Forgive me for telling you that you weren't there. Is that it? Sorry. 347 00:48:40,128 --> 00:48:41,672 Let me pass. 348 00:48:43,882 --> 00:48:48,428 - Is that why you're in a bad mood? - Yes, but I already forgot. 349 00:48:51,473 --> 00:48:53,809 I'm going to be perfect here. 350 00:48:55,269 --> 00:48:57,688 I really don't know what I did to you. 351 00:49:04,486 --> 00:49:07,406 You're treating me very badly all of a sudden! 352 00:49:07,573 --> 00:49:11,076 Me? But I'm the same as always. 353 00:49:13,287 --> 00:49:15,789 You are the one who is different. 354 00:49:21,628 --> 00:49:24,798 Since you got together with the film people. 355 00:49:26,341 --> 00:49:29,428 Before you wrote detective novels. 356 00:49:29,595 --> 00:49:34,516 We didn't have much money, but we were fine. 357 00:49:42,733 --> 00:49:48,238 And this? "Italian Communist Party." 358 00:49:49,031 --> 00:49:53,410 - You didn't tell me that you had joined. - Two months ago, in Paris. 359 00:49:53,577 --> 00:49:58,248 - Give me that. - Let me go! You're going to leave me a bruise. 360 00:50:00,000 --> 00:50:03,587 I work for you. This place is not just for me! 361 00:50:03,754 --> 00:50:06,548 Please, Paul, I don't want to fight. 362 00:50:17,976 --> 00:50:20,979 I don't want to go to Capri either. 363 00:50:21,146 --> 00:50:24,441 Why not? Don't be stupid. Go. 364 00:50:30,948 --> 00:50:33,909 Paul, come here. 365 00:50:34,368 --> 00:50:36,245 What? 366 00:50:37,120 --> 00:50:39,665 No, I'm not interested anymore. 367 00:50:39,832 --> 00:50:43,377 When Prokosch calls, Tell him I don't want to talk to him. 368 00:50:44,837 --> 00:50:47,798 Paul, come here. 369 00:50:51,468 --> 00:50:54,388 Why don't you want to write the script now? 370 00:50:57,432 --> 00:51:00,519 I would have done it for love of you. 371 00:51:02,980 --> 00:51:06,567 But you don't love me anymore. 372 00:51:06,733 --> 00:51:08,610 What a novelty! 373 00:51:14,741 --> 00:51:18,996 "I was a judge for a butt contest between three beauties. 374 00:51:19,163 --> 00:51:21,915 "They chose me as a judge. 375 00:51:22,082 --> 00:51:25,377 "They showed me their nakedness stunning 376 00:51:25,544 --> 00:51:30,340 "The first one had a curved butt, white and discreet, with dimples. 377 00:51:30,507 --> 00:51:35,888 "When the second one opened her legs, Her snow skin sprouted like a rose. 378 00:51:36,054 --> 00:51:39,308 "The third was quieter than a calm sea. 379 00:51:39,474 --> 00:51:45,189 "Her delicate skin rippled gently, trembling involuntarily." 380 00:51:49,276 --> 00:51:53,489 We will mortgage the apartment when we run out of money. 381 00:51:55,365 --> 00:51:59,411 Is there something that makes you think that I don't love you anymore? 382 00:52:00,287 --> 00:52:01,705 Yes. 383 00:52:03,916 --> 00:52:05,375 What? 384 00:52:09,379 --> 00:52:11,173 All. 385 00:52:11,340 --> 00:52:13,842 But what, for example? 386 00:52:18,680 --> 00:52:24,061 - First tell me if it's true. - No, first you tell me what. 387 00:52:25,187 --> 00:52:28,398 What makes me think that you don't love me anymore? 388 00:52:28,565 --> 00:52:31,276 The way in which you've been treating me 389 00:52:32,528 --> 00:52:34,738 This morning you weren't like this. 390 00:52:41,078 --> 00:52:42,955 Neither yesterday. 391 00:52:46,041 --> 00:52:48,752 Also the way you look at me. 392 00:52:56,802 --> 00:53:03,225 "The problem, in my opinion, It lies in our conception of the world. 393 00:53:03,392 --> 00:53:06,520 "A positive vision or a negative one. 394 00:53:06,687 --> 00:53:10,774 "The Greek tragedy was negative, because he converted man 395 00:53:10,941 --> 00:53:14,486 "a victim of doom, personified by the gods, 396 00:53:14,653 --> 00:53:18,157 "and left him towards a hopeless destiny." 397 00:53:20,492 --> 00:53:25,038 Why do you say it is the window open? Something else is happening to you. 398 00:53:28,542 --> 00:53:30,627 I think so. 399 00:53:31,712 --> 00:53:36,466 "Man can rebel against the bad and the false. 400 00:53:36,633 --> 00:53:42,264 "We must rebel if we are trapped by circumstances or conventions. 401 00:53:42,431 --> 00:53:46,560 "Although I do not believe that death be the solution. 402 00:53:46,727 --> 00:53:49,563 "Crimes of passion are useless. 403 00:53:49,730 --> 00:53:54,985 "I love a woman, She cheats on me, so I kill her. 404 00:53:55,152 --> 00:54:00,199 "What do I have left? I lost her love because she is dead. 405 00:54:00,365 --> 00:54:04,912 "If I kill her lover, she hates me, and I also lose his love. 406 00:54:05,078 --> 00:54:07,915 "Killing is never the solution." 407 00:54:09,833 --> 00:54:11,710 Listen, Camille... 408 00:54:11,877 --> 00:54:16,840 I give you my word, I can't sleep with the window open. 409 00:54:18,175 --> 00:54:22,095 I need silence and darkness. 410 00:54:23,722 --> 00:54:25,599 I swear it's true. 411 00:54:30,521 --> 00:54:34,107 And you move a lot. You wake me up every time. 412 00:54:34,274 --> 00:54:37,027 I want to sleep alone from now on. 413 00:54:38,821 --> 00:54:41,114 Don't you want to make love? 414 00:54:44,910 --> 00:54:47,204 Listen to this idiot. 415 00:54:48,455 --> 00:54:51,375 Is that a mocking smile or a tender one? 416 00:54:54,044 --> 00:54:56,129 A tender smile. 417 00:54:58,966 --> 00:55:02,970 - Then, answer me! - If it were true, I would answer you. 418 00:55:03,136 --> 00:55:06,765 A woman always has excuses to not make love. 419 00:55:06,932 --> 00:55:12,146 - But you are an idiot reverend. - It doesn't look good on you to insult. 420 00:55:13,397 --> 00:55:15,399 So it doesn't suit me? 421 00:55:17,985 --> 00:55:19,611 Listen... 422 00:55:21,321 --> 00:55:24,449 Asshole. The fucking mother. 423 00:55:25,492 --> 00:55:27,494 Shit. 424 00:55:28,537 --> 00:55:30,372 I shit on God. 425 00:55:31,999 --> 00:55:33,959 Shit. 426 00:55:35,127 --> 00:55:36,795 Son of a bitch. 427 00:55:38,380 --> 00:55:40,007 Damn. 428 00:55:45,262 --> 00:55:49,099 And, you keep thinking What doesn't suit me? 429 00:56:13,832 --> 00:56:16,752 Why don't you want to anymore? make love to me? 430 00:56:25,844 --> 00:56:30,933 It's okay. Let's do it. But fast. 431 00:56:34,436 --> 00:56:37,105 I thought Camille might leave me. 432 00:56:37,272 --> 00:56:42,402 If we did, it would be a disaster. Now the disaster had occurred. 433 00:56:43,445 --> 00:56:47,199 We lived in a cloud of unconsciousness, 434 00:56:47,741 --> 00:56:50,077 in a pleasant complicity. 435 00:56:50,244 --> 00:56:55,249 Things happened recklessly. fleeting, wild, enchanted. 436 00:56:55,415 --> 00:57:01,421 It ended in Paul's arms, almost unaware of what had happened. 437 00:57:02,005 --> 00:57:07,010 That recklessness had almost disappeared in Camille and, therefore, in me. 438 00:57:07,344 --> 00:57:11,557 I could observe her coldly, prey to my excitement, 439 00:57:11,723 --> 00:57:14,726 as, no doubt, she was watching me? 440 00:57:15,811 --> 00:57:20,941 I made that comment with a secret feeling of revenge. 441 00:57:21,108 --> 00:57:24,194 She believed that a lie would fix everything. 442 00:57:24,361 --> 00:57:29,575 At least for a while, apparently. She was clearly tempted to lie to me. 443 00:57:30,242 --> 00:57:33,370 But after reflecting, I decided not to do it. 444 00:57:33,537 --> 00:57:35,497 Paul made me suffer a lot. 445 00:57:35,664 --> 00:57:38,917 Now it was my turn, to say what I saw 446 00:57:39,126 --> 00:57:41,420 without really being precise. 447 00:57:43,589 --> 00:57:48,719 Deep down, I was wrong. she He wasn't unfaithful, or at least that's what it seemed like. 448 00:57:48,886 --> 00:57:53,307 The truth was yet to be proven, despite appearances. 449 00:57:55,017 --> 00:58:00,772 I have noticed that the more we doubt, the more we cling to false lucidity, 450 00:58:00,939 --> 00:58:07,070 in the hope of rationalizing what feelings have clouded. 451 00:58:07,946 --> 00:58:10,491 I thought Camille might leave me. 452 00:58:10,657 --> 00:58:15,245 If we did, it would be a disaster. Now the disaster had occurred. 453 00:58:15,412 --> 00:58:21,335 We lived in a cloud of unconsciousness, in a pleasant complicity. 454 00:58:23,629 --> 00:58:25,714 Don't be like that. 455 00:58:30,511 --> 00:58:34,890 - Let it not be how? - You know well what I mean. 456 00:58:40,771 --> 00:58:43,232 It's your fault! 457 00:58:51,490 --> 00:58:55,577 It seems that you are searching my expression 458 00:58:57,496 --> 00:59:00,249 to decide what attitude to assume. 459 00:59:06,213 --> 00:59:10,676 "The private plane was waiting in the blue sky. 460 00:59:13,387 --> 00:59:19,226 "Rex noticed something about Paula that I already knew: his face..." 461 00:59:19,393 --> 00:59:25,149 "His harmonious face, now indecisive, It seemed tortuous. 462 00:59:25,315 --> 00:59:31,238 "Rex knew that characteristic in her, since every time Paula..." 463 00:59:31,780 --> 00:59:35,492 "Every time Paula I had to make a decision... 464 00:59:45,794 --> 00:59:48,755 "That was against his nature..." 465 00:59:50,799 --> 00:59:55,220 What's wrong with you? I love you exactly the same as before. 466 01:00:11,195 --> 01:00:15,115 What would you do if I stopped loving you? 467 01:00:15,282 --> 01:00:19,453 - I already told you. - Yes, but I forgot. 468 01:00:19,953 --> 01:00:23,957 I wouldn't write the script and we would sell the apartment. 469 01:00:32,424 --> 01:00:36,929 But I love you. This seems stupid to me. 470 01:00:38,805 --> 01:00:43,685 When Prokosch calls, Tell him you're going to Capri. 471 01:00:57,157 --> 01:01:01,203 - And you? - I love you. Don't make me repeat it. 472 01:01:01,745 --> 01:01:04,540 I want to keep the apartment. 473 01:01:05,123 --> 01:01:08,252 If you don't want to write the script, don't do it. 474 01:01:08,418 --> 01:01:12,673 If you think I stopped loving you, you are wrong. 475 01:01:15,801 --> 01:01:18,011 Give me a kiss. 476 01:01:47,374 --> 01:01:50,169 We were talking about you. 477 01:01:55,799 --> 01:01:59,553 About his movie. 478 01:02:00,971 --> 01:02:04,975 Yes, The Odyssey. About that guy who travels. 479 01:02:07,144 --> 01:02:12,149 In Capri, can we go swimming? 480 01:02:16,695 --> 01:02:19,156 I don't know. 481 01:02:23,368 --> 01:02:26,330 Here comes Paul. It's over. 482 01:02:33,504 --> 01:02:36,673 �Mr. Prokosch? Yes. 483 01:02:40,761 --> 01:02:41,595 No. 484 01:02:57,361 --> 01:02:58,612 Shall we go out to dinner? 485 01:02:58,779 --> 01:03:02,324 I don't feel like it to go shopping. 486 01:03:08,205 --> 01:03:13,460 Well. we have to see each other with Prokosch and Lang in a cinema. 487 01:03:13,627 --> 01:03:17,589 They want to see a singer's show. We can eat later. 488 01:03:17,756 --> 01:03:20,717 It's going to be late If we go to the cinema first. 489 01:03:20,884 --> 01:03:24,054 Maybe it will give me some ideas. 490 01:03:28,725 --> 01:03:33,730 Why don't you look for ideas in your head, instead of stealing them? 491 01:03:33,897 --> 01:03:39,570 - What's wrong with you? - Let's go! 492 01:03:39,736 --> 01:03:45,284 I already knew. Since I said yes to Prokosch, the tenderness is over! 493 01:03:45,868 --> 01:03:51,790 That's it, enough of the affection. What was he calling you for? 494 01:03:52,499 --> 01:03:56,378 - To see if we were going to Capri. - What did you tell him? 495 01:03:56,545 --> 01:04:01,383 - That depended on you. - Are you crazy? 496 01:04:01,967 --> 01:04:05,929 You know that depends on you, not me! 497 01:04:06,096 --> 01:04:09,683 - Then accompany me to Capri. - No. 498 01:04:10,350 --> 01:04:13,562 Is there something between you and Prokosch? 499 01:04:14,271 --> 01:04:16,815 You are the lowest. 500 01:04:24,114 --> 01:04:28,243 - Sit down. I have to talk to you. - And the cinema? 501 01:04:28,911 --> 01:04:31,413 Camille, I need to talk to you. 502 01:04:34,625 --> 01:04:37,544 Alright, I hear you. 503 01:04:38,337 --> 01:04:42,591 I need... to talk to you. 504 01:04:47,262 --> 01:04:51,183 A while ago, before the phone rang, 505 01:04:52,601 --> 01:04:58,482 I told you I wasn't going to take the job. If I wasn't sure of your love. 506 01:05:00,067 --> 01:05:06,740 You said you loved me and that I had to accept it. 507 01:05:08,158 --> 01:05:09,701 Yes. 508 01:05:11,995 --> 01:05:14,790 I'm sure you lied to me. 509 01:05:16,416 --> 01:05:22,673 Why? I don't know. Out of pity, out of self-interest... 510 01:05:22,881 --> 01:05:29,680 - What self-interest? - That of preserving this department. 511 01:05:29,972 --> 01:05:33,183 How will you know what I think? 512 01:05:33,350 --> 01:05:40,023 What's more, it doesn't matter to me. sell the department if you want. It doesn't matter. 513 01:05:40,190 --> 01:05:43,443 You said it was better than a hotel. 514 01:05:43,610 --> 01:05:48,198 Not at all. I said it to satisfy you. 515 01:05:49,825 --> 01:05:56,039 That's not the question. I want to know why you lied to me. 516 01:05:56,248 --> 01:05:58,542 Who said I lied? Enough! 517 01:05:58,709 --> 01:06:02,337 You. You stopped loving me. 518 01:06:03,380 --> 01:06:06,008 What good is it for you to know the truth? 519 01:06:06,175 --> 01:06:08,844 See? You are proving me right. 520 01:06:09,011 --> 01:06:12,473 I'm not admitting anything. Leave me alone. 521 01:06:15,559 --> 01:06:19,396 It's true. I don't love you anymore. 522 01:06:23,025 --> 01:06:26,403 There is nothing to explain. I don't love you anymore. 523 01:06:26,570 --> 01:06:30,282 Why? Yesterday you still loved me. 524 01:06:31,283 --> 01:06:34,328 Yes, a lot. 525 01:06:35,579 --> 01:06:37,789 But it's over. 526 01:06:39,124 --> 01:06:44,296 - There has to be a reason. - Yes, sure. 527 01:06:46,048 --> 01:06:48,175 Which one is it? 528 01:06:48,342 --> 01:06:53,430 I don't know. The only thing I know It's just that I don't love you anymore. 529 01:06:54,556 --> 01:06:57,434 �Since we were at Prokosch's house? 530 01:06:57,601 --> 01:07:01,980 �When you saw me touch her butt to Francesca Vanini? 531 01:07:05,192 --> 01:07:10,989 Let's say that was it. It's over. Let's leave the topic. 532 01:07:13,742 --> 01:07:17,329 Something happened since this morning. 533 01:07:17,496 --> 01:07:23,210 Your opinion about me changed, and therefore, your love for me. 534 01:07:25,879 --> 01:07:30,384 - You're crazy, but you're smart. - So it's true. 535 01:07:36,723 --> 01:07:42,980 I didn't say that. I said you were smart. 536 01:07:44,314 --> 01:07:48,485 �It was something I said or did today that you took it the wrong way? 537 01:07:48,652 --> 01:07:50,529 Could be. 538 01:07:50,696 --> 01:07:55,075 "Don't talk to me like that!" I'm not going to allow it! 539 01:08:04,168 --> 01:08:06,295 Camille! 540 01:08:13,177 --> 01:08:17,055 I despise you! That's what I feel. 541 01:08:17,222 --> 01:08:20,225 That's why my love ran out. 542 01:08:20,434 --> 01:08:23,437 And it disgusts me every time you touch me. 543 01:08:36,575 --> 01:08:39,077 Wait for me. Don't be so melodramatic. 544 01:08:43,874 --> 01:08:48,879 Forget what I told you, Paul. Pretend that nothing happened. 545 01:09:52,734 --> 01:09:54,903 Good night. 546 01:10:02,536 --> 01:10:06,373 - Are you also going to Capri? - Could be. 547 01:10:29,563 --> 01:10:31,148 Is it okay? 548 01:11:35,671 --> 01:11:38,382 Mr. Prokosch read Homer again. 549 01:11:43,804 --> 01:11:48,100 I found something I had been looking for it's been a while 550 01:11:54,731 --> 01:12:00,237 Something essential for both the cinema like for real life. 551 01:12:00,863 --> 01:12:02,239 The poetry. 552 01:12:05,075 --> 01:12:07,411 - Do you remember what...? - Ah, yes. 553 01:12:10,873 --> 01:12:14,835 They say that Ulysses returned home to see Penelope, 554 01:12:15,002 --> 01:12:18,213 but maybe he was angry with Penelope. 555 01:12:18,380 --> 01:12:23,886 That's why he went to the Trojan War, and since he didn't want to go back home, 556 01:12:24,052 --> 01:12:26,638 He continued traveling as much as he could. 557 01:12:26,805 --> 01:12:29,641 Do you think it was his idea or...? 558 01:12:40,444 --> 01:12:43,405 - Why do you despise me? - Leave me alone! 559 01:12:46,283 --> 01:12:49,995 What do you think, Fritz? From the girl or from him? 560 01:12:52,206 --> 01:12:54,541 From the girl, to Naus�caa. 561 01:12:54,708 --> 01:12:58,879 It would be good for Australia, with the kangaroos. 562 01:12:59,505 --> 01:13:02,466 Are you coming to Capri with us, Mr. Lang? 563 01:13:04,051 --> 01:13:09,848 "Every morning, to earn my bread I go to the market where lies are sold 564 01:13:11,308 --> 01:13:15,187 "and, hopeful, I line up with the other sellers. 565 01:13:15,354 --> 01:13:19,107 - What is that? -Hollywood. 566 01:13:19,274 --> 01:13:21,944 From a ballad of poor B.B. 567 01:13:23,695 --> 01:13:26,240 - Bertolt Brecht? - Yes. 568 01:13:26,406 --> 01:13:31,411 Agree to take off your clothes, Tuesday at 8:00 on the beach. 569 01:13:32,037 --> 01:13:34,623 What do you think of him? 570 01:13:36,124 --> 01:13:39,753 Homer's world is a real world. 571 01:13:39,920 --> 01:13:43,298 And the poet belonged to a civilization 572 01:13:43,465 --> 01:13:49,555 that grew in harmony with nature, and not in opposition to it. 573 01:13:50,305 --> 01:13:52,891 And the beauty of The Odyssey 574 01:13:53,058 --> 01:13:59,106 lies precisely in believing in reality as it is. 575 01:13:59,898 --> 01:14:03,110 That is, in an objective reality. 576 01:14:03,277 --> 01:14:09,366 Exact. And in a way that cannot be decomposed. 577 01:14:10,242 --> 01:14:14,079 And that is what it is. Take it or leave it. 578 01:14:15,581 --> 01:14:17,833 Why don't you say something? 579 01:14:18,000 --> 01:14:21,211 I don't speak because I have nothing to say. 580 01:14:34,808 --> 01:14:39,271 I'm not sure I want to go to Capri. Where would we stay? 581 01:14:42,733 --> 01:14:45,527 At Mr. Prokosch's chalet. 582 01:14:48,739 --> 01:14:52,951 - With her husband. - And Mr. Lang too? 583 01:14:57,456 --> 01:14:59,458 He will decide that. 584 01:14:59,625 --> 01:15:04,296 Producers! They are something which I could easily do without. 585 01:15:05,047 --> 01:15:07,549 - Madam. - Good night. 586 01:15:33,909 --> 01:15:37,663 If you don't want to come, I'm not going to force you. 587 01:15:38,747 --> 01:15:43,752 It's not you who forces me. It's life. 588 01:16:12,823 --> 01:16:15,242 What are you doing? 589 01:16:18,453 --> 01:16:22,666 - What are you doing? - Looking. 590 01:16:22,833 --> 01:16:25,419 Don't stay alone. Come with us. 591 01:16:26,879 --> 01:16:30,340 - What were they talking about? - From The Odyssey. 592 01:16:31,758 --> 01:16:36,555 - I agree with Prokosch's theory. -What theory? 593 01:16:37,306 --> 01:16:42,352 That Ulysses adores his wife, but she doesn't want it. 594 01:16:43,562 --> 01:16:48,859 Do you really think that? It seems to me not. 595 01:16:55,449 --> 01:17:00,329 - Please, they are in the box. - Everyone to their place! 596 01:17:39,868 --> 01:17:44,832 Are they going to take off their clothes? This business is wonderful! 597 01:17:45,791 --> 01:17:50,838 You show a camera to a woman dressed, and then she undresses! 598 01:17:54,132 --> 01:17:58,929 Jerry, Joe Levine calling on line one, from New York. 599 01:18:03,851 --> 01:18:07,354 come with us and leave them alone. 600 01:18:07,521 --> 01:18:10,399 No, I will walk back with my husband. 601 01:18:16,697 --> 01:18:20,117 He says he spends all day with her husband. 602 01:18:24,246 --> 01:18:27,666 �It bothers him if his wife comes with us? 603 01:18:27,833 --> 01:18:32,838 Not at all. Go, Camille. Go. 604 01:18:35,549 --> 01:18:39,761 I don't care, go. 605 01:18:41,054 --> 01:18:44,933 I will walk back with Mr. Lang to talk about The Odyssey. 606 01:19:20,260 --> 01:19:22,805 The girls are in the water, Mr. Lang. 607 01:19:23,263 --> 01:19:26,058 I must have made a scene at the beginning 608 01:19:26,225 --> 01:19:32,481 in which the gods spoke of the destiny of man, in general, 609 01:19:33,357 --> 01:19:35,984 and the fate of Ulysses in particular. 610 01:20:12,813 --> 01:20:16,191 a producer He may be a friend of the director. 611 01:20:16,817 --> 01:20:21,655 But Prokosch is not a producer really. He is a dictator. 612 01:20:22,823 --> 01:20:28,078 I think it's stupid to change the character of Ulysses. 613 01:20:28,245 --> 01:20:31,915 This is not a modern neurotic, 614 01:20:32,082 --> 01:20:37,421 but from a simple man, smart and robust. 615 01:20:38,088 --> 01:20:40,924 That idea is interesting to me. 616 01:20:41,091 --> 01:20:44,178 Ulysses takes ten years to return home 617 01:20:44,344 --> 01:20:47,431 because he doesn't want to go back. It's logical. 618 01:20:48,390 --> 01:20:54,104 It is logical, and the illogical borrows elements of logic. 619 01:20:54,771 --> 01:20:58,192 Corneille said it himself in the preface of Sur�na. 620 01:20:59,359 --> 01:21:03,363 Ulysses is in no hurry to return to Ithaca 621 01:21:04,198 --> 01:21:07,618 because he was unhappy with Penelope, 622 01:21:08,327 --> 01:21:12,706 but the problem started before that he went to war. 623 01:21:18,962 --> 01:21:22,549 If we had been happy, He would never have left. 624 01:21:22,716 --> 01:21:26,136 The Trojan War was their excuse to get away from her. 625 01:21:26,303 --> 01:21:30,265 But he killed the suitors of her, right? 626 01:21:30,432 --> 01:21:34,770 That can be justified due to the fact that, at the beginning, 627 01:21:34,937 --> 01:21:38,607 Ulysses had told Penelope to accept the gifts. 628 01:21:39,650 --> 01:21:43,529 He did not consider them true rivals 629 01:21:43,695 --> 01:21:46,657 and I didn't want to cause a scandal throwing them out. 630 01:21:47,574 --> 01:21:53,330 Since Penelope was faithful, he asked her that he would treat the suitors well. 631 01:22:00,462 --> 01:22:06,802 I think that's when Penelope, a simple woman deep down, 632 01:22:08,512 --> 01:22:11,056 I began to despise him. 633 01:22:11,807 --> 01:22:16,228 He discovered that he had stopped loving to Ulysses for that behavior, 634 01:22:17,146 --> 01:22:18,939 and I told him. 635 01:22:19,773 --> 01:22:24,278 Ulysses took a while to realize that he had lost Penelope's love 636 01:22:24,444 --> 01:22:27,531 for being excessively cautious. 637 01:22:29,116 --> 01:22:34,371 The only way to get it back It was killing her suitors. 638 01:22:34,538 --> 01:22:37,499 Killing is never the solution. 639 01:24:12,052 --> 01:24:13,595 Camille! 640 01:25:22,331 --> 01:25:25,876 - What a beautiful yellow. - Thank you. 641 01:25:28,754 --> 01:25:31,548 I found this on the boat. 642 01:25:31,715 --> 01:25:34,885 Children should not play with weapons. 643 01:26:23,392 --> 01:26:25,435 A drink? 644 01:26:25,602 --> 01:26:29,064 It was out there. Nothing. 645 01:26:45,497 --> 01:26:49,877 Camille, come here, I want to show you something. 646 01:26:56,508 --> 01:27:01,597 Do you see what beauty? the sea, the trees, the rocks, the boats. 647 01:27:04,057 --> 01:27:07,186 I decided not to write the script he asked me for. 648 01:27:10,355 --> 01:27:12,024 Why? 649 01:27:13,275 --> 01:27:15,444 Can I be frank with you? 650 01:27:20,407 --> 01:27:22,201 Of course. 651 01:27:26,330 --> 01:27:31,001 I am a playwright. I am not a film scriptwriter. 652 01:27:37,174 --> 01:27:41,887 Even if it is a select script... I only do it for money! 653 01:27:49,019 --> 01:27:51,355 That's why I'm in a bad mood. 654 01:27:55,609 --> 01:28:00,697 We all have an ideal. mine It's writing works and I can't. Why? 655 01:28:02,866 --> 01:28:07,996 In today's world, we have to accept what others want. 656 01:28:10,165 --> 01:28:13,126 Why does money matter so much? in what we do, 657 01:28:13,293 --> 01:28:16,296 in what we are, What do we become? 658 01:28:18,048 --> 01:28:21,635 Even in our relationships with those we love. 659 01:28:31,145 --> 01:28:34,022 You are right. 660 01:28:35,315 --> 01:28:39,236 We do Homer's Odyssey Or we don't do anything! 661 01:28:45,075 --> 01:28:49,037 Mr. Prokosch already said it, is wrong. 662 01:28:49,204 --> 01:28:52,332 You aspire to a world like Homer's. 663 01:28:52,499 --> 01:28:56,044 He wants it to exist, but unfortunately, that is not the case. 664 01:28:56,211 --> 01:28:58,130 Why not? 665 01:28:59,715 --> 01:29:01,884 No! 666 01:29:06,346 --> 01:29:09,266 You may be right, 667 01:29:09,433 --> 01:29:14,646 but when it comes to making films, dreaming is not enough. 668 01:29:22,112 --> 01:29:24,948 When do we eat? 669 01:29:28,243 --> 01:29:33,081 - In an hour. - Well. I'm going to go for a walk. 670 01:29:38,754 --> 01:29:41,006 Mr. Lang. 671 01:29:41,840 --> 01:29:44,384 Mr. Prokosch wants to talk to you. 672 01:29:44,551 --> 01:29:46,804 Bring me the shoes! 673 01:29:50,182 --> 01:29:55,270 - Is it an order or a request? - An order. 674 01:30:01,652 --> 01:30:04,530 You have to suffer. 675 01:30:06,532 --> 01:30:09,076 Don't doubt it. 676 01:30:20,629 --> 01:30:22,256 Camille! 677 01:31:09,511 --> 01:31:11,346 It's me, Paul. 678 01:31:18,270 --> 01:31:23,150 Look at you right now, It reminded me of the first time I saw you. 679 01:31:35,287 --> 01:31:40,584 - Do you mind if I stay? - Stay if you want. 680 01:32:00,521 --> 01:32:03,649 Why didn't you say anything before? 681 01:32:03,816 --> 01:32:07,986 I don't understand you! You said you loved that script. 682 01:32:08,153 --> 01:32:13,909 Now you tell the producer that you do it for money, your ideal is the theater. 683 01:32:15,828 --> 01:32:19,957 He's not an idiot. Next time, he won't call you. 684 01:32:20,415 --> 01:32:23,585 How do you not understand something so simple? 685 01:32:27,089 --> 01:32:31,760 - I bet you're going to do the same. - No. 686 01:32:31,927 --> 01:32:36,682 Yes, you'll see. I know you. 687 01:32:38,892 --> 01:32:41,103 I know you. 688 01:32:41,270 --> 01:32:44,940 If I do it, it's for you. To pay for the apartment. 689 01:32:46,400 --> 01:32:50,195 I'll let you decide whether I do the script or not. 690 01:32:50,362 --> 01:32:53,949 If you say no, we'll leave. 691 01:32:54,116 --> 01:32:58,453 - How clever you are! - Not at all. Why? 692 01:32:58,620 --> 01:33:04,459 - If you regret it, you blame me. - Not at all! I ask you to decide. 693 01:33:04,626 --> 01:33:07,254 Do you want me to tell you what to do? 694 01:33:07,421 --> 01:33:10,716 - Yes. - Write that script! 695 01:33:10,883 --> 01:33:13,594 You signed a contract, and you're boring me. 696 01:33:17,639 --> 01:33:21,852 - I saw him kissing you earlier today. - I know. 697 01:33:25,606 --> 01:33:30,027 - Why don't you love me more? - That's life. 698 01:33:31,528 --> 01:33:33,739 Why do you despise me? 699 01:33:35,324 --> 01:33:39,328 I'm never going to tell you, not even if I'm dying. 700 01:33:44,583 --> 01:33:49,004 - Tell me or I'll hurt you. - Why are you going to hurt me more? 701 01:33:52,716 --> 01:33:55,552 I have to know why you despise me. 702 01:33:55,719 --> 01:33:59,807 It's crazy! I don't know why You hope he agrees to do it. 703 01:34:01,391 --> 01:34:05,646 We need the money. I don't want to type again. 704 01:34:05,813 --> 01:34:10,818 I can't accept it after what happened. You despise me. 705 01:34:28,001 --> 01:34:32,131 You knew we had kissed. Still, You were ready to change your mind. 706 01:34:32,339 --> 01:34:37,594 I turned down the job for you. So that you could change your opinion of me. 707 01:34:38,929 --> 01:34:42,349 Do not touch me. I don't love you anymore. 708 01:34:43,767 --> 01:34:46,728 It is impossible that I can love you again 709 01:34:47,771 --> 01:34:51,400 Even if I reject it, Will you despise me the same? 710 01:34:51,567 --> 01:34:57,322 - Of course. - Why? There must be a reason. 711 01:34:57,489 --> 01:35:00,951 - The reason is you. - What am I? 712 01:35:03,078 --> 01:35:05,998 I don't know. You are not a man. 713 01:35:07,457 --> 01:35:12,796 Anyway, it's already late. I don't feel the same about you anymore. 714 01:35:14,590 --> 01:35:19,887 I know why you despise me. The other day, when I returned by taxi, 715 01:35:20,053 --> 01:35:23,432 you thought I wanted you to be in the car with him. 716 01:35:26,477 --> 01:35:30,189 And the same thing earlier today on the boat. Don't be stupid! 717 01:35:30,355 --> 01:35:32,566 I have flaws, but that's not one. 718 01:35:32,733 --> 01:35:38,280 I will never forgive you. I loved you very much. 719 01:35:41,074 --> 01:35:48,040 Now it's impossible. I hate you because you can't make me feel. 720 01:35:48,207 --> 01:35:50,709 Yes I can! You're about to cry. 721 01:36:03,597 --> 01:36:07,059 We're leaving! We pack up and leave. 722 01:36:07,226 --> 01:36:10,938 I stay. You go if you want. 723 01:36:11,939 --> 01:36:14,024 Come on, Camille! 724 01:36:16,401 --> 01:36:19,947 - No. - Then I'll stay too. 725 01:36:20,113 --> 01:36:24,910 - But Prokosch is going to fire us both. - Don't start again. 726 01:37:07,202 --> 01:37:12,124 Dear Paul, I found your revolver and I took out the bullets. 727 01:37:12,291 --> 01:37:15,627 If you don't want to leave, I will. 728 01:37:15,794 --> 01:37:21,341 Jeremy Prokosch has to return to Rome, so I take advantage and go with him. 729 01:37:21,508 --> 01:37:25,512 Then maybe I'll move to a hotel. 730 01:37:25,679 --> 01:37:29,433 Take care. Goodbye. Camille. 731 01:37:41,403 --> 01:37:43,197 Fill it up! 732 01:38:08,472 --> 01:38:12,100 What are you going to do in Rome? 733 01:38:14,102 --> 01:38:16,897 Fingerprinter. 734 01:38:17,064 --> 01:38:21,276 You're crazy! You lost your mind. 735 01:38:22,110 --> 01:38:24,947 Me? No. 736 01:38:25,697 --> 01:38:28,367 Fingerprinter. 737 01:38:52,349 --> 01:38:57,020 What... do you think... of me? 738 01:38:58,730 --> 01:39:03,068 Get in your Alfa, Romeo. We'll see what happens next. 739 01:39:03,277 --> 01:39:08,115 TAKE CARE 740 01:39:14,830 --> 01:39:19,293 GOODBYE 741 01:40:17,309 --> 01:40:19,895 Nathalie, Tonight I leave for Rome. 742 01:40:20,979 --> 01:40:24,024 Goodbye, then. 743 01:41:05,357 --> 01:41:08,277 Mr. Lang, I came to say goodbye. 744 01:41:09,903 --> 01:41:13,240 Goodbye. What are you going to do? 745 01:41:13,407 --> 01:41:17,995 I return to Rome, to finish my play. 746 01:41:19,288 --> 01:41:21,957 - And you? - I plan to finish the movie. 747 01:41:22,124 --> 01:41:25,252 One must always finish what begins 748 01:41:26,670 --> 01:41:29,506 What shot are they doing? 749 01:41:29,673 --> 01:41:34,470 The fixed gaze of Ulysses when he sees his homeland again. 750 01:41:36,096 --> 01:41:37,973 �taca. 751 01:41:39,975 --> 01:41:44,146 - Goodbye, Mr. Lang. - Goodbye. I hope we meet again. 752 01:41:48,108 --> 01:41:50,652 We're ready, Mr. Lang. 753 01:41:50,819 --> 01:41:53,697 Silence on the set! 754 01:41:55,616 --> 01:41:58,118 Camera! 755 01:42:50,671 --> 01:42:53,590 Silence! 756 01:43:07,604 --> 01:43:12,818 Sous-titrage: T�L�TOTA